Beyond the Nation: Diasporic Filipino Literature and Queer - download pdf or read online

Beyond the Nation charts an expansive background of Filipino literature within the united states, cast in the twin contexts of imperialism and migration, from the early 20th century into the twenty-first. Martin Joseph Ponce theorizes and enacts a queer diasporic studying perform that attends to the advanced crossings of race and kingdom with gender and sexuality. Tracing the stipulations of probability of Anglophone Filipino literature to U.S. colonialism within the Philippines within the early 20th century, the publication examines how a number of writers from around the century either think and deal with the Philippines and the U.S., inventing a number of creative lineages and social formations within the technique.

Beyond the Nation considers a wide array of concerns, from early Philippine nationalism, queer modernism, and transnational radicalism, to music-influenced and cross-cultural poetics, homosexual male engagements with martial legislations and pop culture, second-generational dynamics, and the relation among analyzing and revolution. Ponce elucidates not just the interior variations that mark this literary culture but additionally the wealth of expressive practices that exceed the phrases of colonial complicity, defiant nationalism, or conciliatory assimilation. relocating past the kingdom as either the first analytical framework and locus of belonging, Ponce proposes that diasporic Filipino literature has a lot to coach us approximately other ways of imagining erotic relationships and political groups.

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Colonialism treated in stark binaries as either benevolent or baleful, but “the case for the Filipinos” themselves becomes one-dimensional. Since the retentionists often depict Filipinos “in the darkest colors, if not, indeed, flagrantly misrepresenting them, ridiculing their characteristics, exploiting their supposed ignorance, and exaggerating, if not entirely creating new, native vices and shortcomings” (xi), the “advocate of independence” is forced to counter these portrayals and display Filipino character and “capacity” in The Romantic Didactics of Maximo Kalaw’s Nationalism 43 the best light possible.

Magazines and periodicals during the first two decades of colonial rule nonetheless reflect this political and moral conservatism. S. anti-imperialism during this period, much less consideration has been given to the Filipino voices that spoke out against imperial aggression and duplicity. 22 Despite the passage of the Treaty of Paris, a number of Filipino intellectual elites continued to issue statements trying to persuade the United States to cease fighting and, once the war was declared over in 1902, to grant independence.

In the preface to his 1916 treatise The Case for the Filipinos, Kalaw registers the competing obligations that different audiences exert on the Filipino writer forced to engage in this representational terrain. S. colonialism treated in stark binaries as either benevolent or baleful, but “the case for the Filipinos” themselves becomes one-dimensional. Since the retentionists often depict Filipinos “in the darkest colors, if not, indeed, flagrantly misrepresenting them, ridiculing their characteristics, exploiting their supposed ignorance, and exaggerating, if not entirely creating new, native vices and shortcomings” (xi), the “advocate of independence” is forced to counter these portrayals and display Filipino character and “capacity” in The Romantic Didactics of Maximo Kalaw’s Nationalism 43 the best light possible.

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Beyond the Nation: Diasporic Filipino Literature and Queer Reading by Martin Joseph Ponce


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